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	<title>Filmhuis Mechelen &#187; Academie Mechelen</title>
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	<description>De betere film in de binnenstad</description>
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		<title>Art &amp; Film: AI WEIWEI&#8217;S TURANDOT</title>
		<link>https://www.filmhuismechelen.be/review/ai-weiweis-turandot/</link>
		<comments>https://www.filmhuismechelen.be/review/ai-weiweis-turandot/#comments</comments>
		<pubDate>Sun, 01 Mar 2026 07:30:26 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Recensie]]></category>
		<category><![CDATA[Vertoond in 2026]]></category>
		<category><![CDATA[Academie Mechelen]]></category>
		<category><![CDATA[Ai WeiWei]]></category>
		<category><![CDATA[Art & Film]]></category>
		<category><![CDATA[Giacomo Puccini]]></category>
		<category><![CDATA[Maxim Derevianko]]></category>
		<category><![CDATA[Michael Fabiano]]></category>
		<category><![CDATA[Oksana Lyniv]]></category>

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		<description><![CDATA[&#160; Van architectuur tot visuele kunst, van beeldend werk tot documentaire: de Chinese kunstenaar Ai WeiWei lijkt moeiteloos van de ene kunstvorm naar de andere te springen. En met zijn versie van Giacomo Puccini&#8217;s &#8216;Turandot&#8217; voegde hij in 2022 ook &#8230; <a href="https://www.filmhuismechelen.be/review/ai-weiweis-turandot/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>THE LOVE THAT REMAINS (Hlynur Palmason)</title>
		<link>https://www.filmhuismechelen.be/review/the-love-that-remains/</link>
		<comments>https://www.filmhuismechelen.be/review/the-love-that-remains/#comments</comments>
		<pubDate>Sun, 01 Mar 2026 06:30:30 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Recensie]]></category>
		<category><![CDATA[Vertoond in 2026]]></category>
		<category><![CDATA[Academie Mechelen]]></category>
		<category><![CDATA[Art & Film]]></category>
		<category><![CDATA[Hlynur Palmason]]></category>
		<category><![CDATA[Ída Mekkín Hlynsdóttir]]></category>
		<category><![CDATA[Panda]]></category>
		<category><![CDATA[Saga Gardarsdottir]]></category>
		<category><![CDATA[Sverrir Gudnason]]></category>

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		<description><![CDATA[&#160; Voor we u met woorden proberen te overtuigen naar &#8216;THE LOVE THAT REMAINS&#8217; te komen: bekijk éérst deze heerlijke trailer, die hopelijk al meteen de job doet: Het verhaal draait rond het gezin van Anna en Magnus: de twee zijn &#8230; <a href="https://www.filmhuismechelen.be/review/the-love-that-remains/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>Art &amp; Film: MONDRIA(A)N &#8211; EN ROUTE TO NEW YORK (Pim Zwier)</title>
		<link>https://www.filmhuismechelen.be/review/mondriaan/</link>
		<comments>https://www.filmhuismechelen.be/review/mondriaan/#comments</comments>
		<pubDate>Sun, 01 Feb 2026 03:30:07 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Documentaire]]></category>
		<category><![CDATA[Recensie]]></category>
		<category><![CDATA[Vertoond in 2026]]></category>
		<category><![CDATA[Academie Mechelen]]></category>
		<category><![CDATA[Art & Film]]></category>
		<category><![CDATA[Harry Holtzman]]></category>
		<category><![CDATA[Piet Mondriaan]]></category>
		<category><![CDATA[Pim Zwier]]></category>

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		<description><![CDATA[&#160; Een Art &#38; Film-vertoning i.s.m. Academie Mechelen &#8212;&#8211; Tussen 1937 en 1941, tegen de achtergrond van de oorlogs- en nazidreiging, correspondeerde Piet Mondriaan met zijn Amerikaanse kunstbroeder Harry Holtzman. Toen regisseur Pim Zwier op deze correspondentie stuitte, besloot hij die &#8230; <a href="https://www.filmhuismechelen.be/review/mondriaan/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>Art &amp; Film: A CONTRETEMPS (Christophe Delbecq)</title>
		<link>https://www.filmhuismechelen.be/review/a-contretemps/</link>
		<comments>https://www.filmhuismechelen.be/review/a-contretemps/#comments</comments>
		<pubDate>Thu, 22 May 2025 20:30:34 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<category><![CDATA[Thomas Olbrechts]]></category>

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		<description><![CDATA[&#160; Dirk Wauters is een veelzijdig man: sculpteur, drummer, schrijver, filmer, tekenaar. Al die activiteiten doet hij niet in het wilde weg: al dertig jaar lang maakt hij elke dag een foto, een film, een tekening, een tekst en een &#8230; <a href="https://www.filmhuismechelen.be/review/a-contretemps/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>MADE IN BELGIUM &#8211; de beste inlandse animatiekortfilms</title>
		<link>https://www.filmhuismechelen.be/review/made-in-belgium-de-beste-inlandse-animatiekortfilms/</link>
		<comments>https://www.filmhuismechelen.be/review/made-in-belgium-de-beste-inlandse-animatiekortfilms/#comments</comments>
		<pubDate>Thu, 22 May 2025 10:00:01 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<category><![CDATA[Anemone Valcke]]></category>
		<category><![CDATA[Boris Zeebroek]]></category>
		<category><![CDATA[Bram Algoed]]></category>
		<category><![CDATA[Levi Stoops]]></category>
		<category><![CDATA[Louise Bongartz]]></category>
		<category><![CDATA[Mirjam Plettinx]]></category>
		<category><![CDATA[Nicolas Keppens]]></category>
		<category><![CDATA[Pieter Gaudesaboos]]></category>
		<category><![CDATA[Quirijn Dees]]></category>
		<category><![CDATA[REKKER]]></category>

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		<description><![CDATA[Jeuj! De mensen van Studio REKKER (die ook de selectie van onze animatiefilms voor de jeugd maken) hebben dit keer een sprankelende selectie van toonaangevende Belgische animatiefilms voor volwassenen (maar ook geschikt voor jongeren vanaf 12 jaar) voor ons samengesteld: &#8230; <a href="https://www.filmhuismechelen.be/review/made-in-belgium-de-beste-inlandse-animatiekortfilms/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>ERNEST COLE: LOST &amp; FOUND (Raoul Peck)</title>
		<link>https://www.filmhuismechelen.be/review/ernest-cole-lost-found/</link>
		<comments>https://www.filmhuismechelen.be/review/ernest-cole-lost-found/#comments</comments>
		<pubDate>Wed, 30 Apr 2025 23:40:44 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<category><![CDATA[Ernest Cole]]></category>
		<category><![CDATA[Junior Mthombeni]]></category>
		<category><![CDATA[Lakeith Stanfield]]></category>
		<category><![CDATA[Maurice Mthombeni]]></category>
		<category><![CDATA[Raoul Peck]]></category>

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		<description><![CDATA[&#160; In de jaren ’60 was Ernest Cole de eerste zwarte fotograaf die erin slaagde de misdaden van het Zuid-Afrikaanse Apartheidsregime in beeld vast te leggen en te verspreiden over de wereld: de beklijvende foto’s maken diepe indruk in de &#8230; <a href="https://www.filmhuismechelen.be/review/ernest-cole-lost-found/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>Art &amp; Film: EYE BELOW EAR</title>
		<link>https://www.filmhuismechelen.be/review/eye-below-ear/</link>
		<comments>https://www.filmhuismechelen.be/review/eye-below-ear/#comments</comments>
		<pubDate>Fri, 11 Apr 2025 01:30:42 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<category><![CDATA[Sophie Fitze]]></category>

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		<description><![CDATA[WOENSDAG 30 APRIL Een filmprogramma aansluitend op de expo ‘eye below ear’ in KUNSTHAL MECHELEN UURSCHEMA: 17u30: rondleiding door curator Alicja Melzacka op de tentoonstelling eye below ear in Kunsthal Mechelen (Onder den Toren 12) 18u30: start filmprogramma in Filmhuis Mechelen (Minderbroedersgang 5) &#160; ——- In &#8230; <a href="https://www.filmhuismechelen.be/review/eye-below-ear/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>Art &amp; Film: THE MELT GOES ON FOREVER: THE ART &amp; TIMES OF DAVID HAMMONS</title>
		<link>https://www.filmhuismechelen.be/review/art-film-the-melt-goes-on-forever-the-art-times-of-david-hammons/</link>
		<comments>https://www.filmhuismechelen.be/review/art-film-the-melt-goes-on-forever-the-art-times-of-david-hammons/#comments</comments>
		<pubDate>Mon, 10 Mar 2025 23:40:32 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Documentaire]]></category>
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		<category><![CDATA[David Hammons]]></category>
		<category><![CDATA[Harold Crooks]]></category>
		<category><![CDATA[Judd Tully]]></category>

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		<description><![CDATA[&#160; &#160; &#8216;THE MELT GOES ON FOREVER&#8217; is een uitmuntende docu over het vaak onderbelichte maar altijd zeer boeiende kunstparcours van de Afro-Amerikaanse artiest David Hammons. Een mogelijke reden waarom Hammons&#8217; kunst altijd wat onder de radar is gebleven is &#8230; <a href="https://www.filmhuismechelen.be/review/art-film-the-melt-goes-on-forever-the-art-times-of-david-hammons/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>Art &amp; Film: THE LAST PLACE THEY THOUGHT OF &#8211; BLACK ARCHIVE</title>
		<link>https://www.filmhuismechelen.be/review/art-film-the-last-place-they-thought-of-black-archive-2/</link>
		<comments>https://www.filmhuismechelen.be/review/art-film-the-last-place-they-thought-of-black-archive-2/#comments</comments>
		<pubDate>Wed, 22 Jan 2025 03:30:18 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<category><![CDATA[Eden Tinto Collins]]></category>
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		<category><![CDATA[Lazara Rosell Albear]]></category>
		<category><![CDATA[Maxime Jean-Baptiste]]></category>
		<category><![CDATA[Sofia Dati]]></category>
		<category><![CDATA[Sorana Munsya]]></category>
		<category><![CDATA[Stéphane Gérard]]></category>

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		<description><![CDATA[&#160; Van 14 december tot 2 maart loopt in de Kunsthal Mechelen de expo ‘THE LAST PLACE THEY THOUGHT OF’. Deze door Sorana Munsya gecureerde expo brengt het werk samen van elf zwarte vrouwelijke kunstenaars. Aan de expo is ook een filmluik &#8230; <a href="https://www.filmhuismechelen.be/review/art-film-the-last-place-they-thought-of-black-archive-2/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>DAHOMEY (Mati Diop)</title>
		<link>https://www.filmhuismechelen.be/review/dahomey/</link>
		<comments>https://www.filmhuismechelen.be/review/dahomey/#comments</comments>
		<pubDate>Wed, 22 Jan 2025 02:00:59 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Recensie]]></category>
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		<category><![CDATA[Stad Mechelen]]></category>

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		<description><![CDATA[&#160; In november 2021 staan 26 kunstschatten van het koninkrijk Dahomey op het punt Parijs te verlaten, om terug te keren naar hun land van herkomst: het huidige Benin. Samen met duizenden andere artefacten werden ze in 1892 door Franse &#8230; <a href="https://www.filmhuismechelen.be/review/dahomey/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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