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	<title>Filmhuis Mechelen &#187; Adèle Exarchopoulos</title>
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	<description>De betere film in de binnenstad</description>
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		<title>RIEN À FOUTRE (Emmanuel Marre &amp; Julie Lecoustre)</title>
		<link>https://www.filmhuismechelen.be/review/rien-a-foutre/</link>
		<comments>https://www.filmhuismechelen.be/review/rien-a-foutre/#comments</comments>
		<pubDate>Tue, 26 Apr 2022 18:30:46 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[De dinsdagen van het Filmhuis]]></category>
		<category><![CDATA[Recensie]]></category>
		<category><![CDATA[Vertoond in 2022]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Alexandre Perrier]]></category>
		<category><![CDATA[Emmanuel Marre]]></category>
		<category><![CDATA[Julie Lecoustre]]></category>
		<category><![CDATA[Mara Taquin]]></category>
		<category><![CDATA[Olivier Boonjing]]></category>

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		<description><![CDATA[Wat is Adèle Exarchoupolos (&#8216;La Vie d&#8217;Adèle&#8217;) toch een onderschatte actrice. Nieuwste bewijs: het uitstekende &#8216;RIEN À FOUTRE&#8217; (Engelse titel: &#8216;Zero Fucks Given&#8217;), waarin ze op briljante wijze Cassandre vertolkt, een 26-jarige stewardess die voor een lowcostmaatschappij werkt &#8211; de naam &#8230; <a href="https://www.filmhuismechelen.be/review/rien-a-foutre/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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				</tbody></table></div><br><div style="clear:both"></div><div style="background:#EEEEEE; padding:0px 0px 0px 15px; margin:10px 0px 0px 0px;"><br><div style="clear:both"></div><div style="padding:13px 0px 5px 0px;"><span style="border-bottom:1px dashed #003399;padding-bottom:4px;"><strong>You might be interested in this:</strong></span>&nbsp;&nbsp;<br><ul style="margin:0; padding:0; padding-top:10px; padding-bottom:5px;"><li style="list-style-type: none;"><img src="https://www.filmhuismechelen.be/wp-content/plugins/readers-from-rss-2-blog/wpsmartapps-lic/images/tick.png" border="0" align="absmiddle"> &nbsp;<a href="https://www.filmhuismechelen.be/review/the-misfits/" >7/1/2003: THE MISFITS</a></li><li style="list-style-type: none;"><img src="https://www.filmhuismechelen.be/wp-content/plugins/readers-from-rss-2-blog/wpsmartapps-lic/images/tick.png" border="0" align="absmiddle"> &nbsp;<a href="https://www.filmhuismechelen.be/review/2046/" >15/3/2005: 2046</a></li><li style="list-style-type: none;"><img src="https://www.filmhuismechelen.be/wp-content/plugins/readers-from-rss-2-blog/wpsmartapps-lic/images/tick.png" border="0" align="absmiddle"> &nbsp;<a href="https://www.filmhuismechelen.be/kortfilm/cinema-corona-06-portrait-dune-jeune-fille-de-la-fin-des-annees-60-a-bruxelles-chantal-akerman/" >CINEMA CORONA #06: PORTRAIT D'UNE JEUNE FILLE DE LA FIN DES ANNEES 60 A BRUXELLES (Chantal Akerman) </a></li><li style="list-style-type: none;"><img src="https://www.filmhuismechelen.be/wp-content/plugins/readers-from-rss-2-blog/wpsmartapps-lic/images/tick.png" border="0" align="absmiddle"> &nbsp;<a href="https://www.filmhuismechelen.be/review/cargo/" >CARGO (Gilles Coulier)</a></li><li style="list-style-type: none;"><img src="https://www.filmhuismechelen.be/wp-content/plugins/readers-from-rss-2-blog/wpsmartapps-lic/images/tick.png" border="0" align="absmiddle"> &nbsp;<a href="https://www.filmhuismechelen.be/review/a-man-of-integrity/" >A MAN OF INTEGRITY (Mohammad Rasoulof)</a></li></ul></div></div><hr style="color:#EBEBEB" /><small>Copyright © <a href="https://www.filmhuismechelen.be">Filmhuis Mechelen</a> [<a href="https://www.filmhuismechelen.be/review/rien-a-foutre/">RIEN À FOUTRE (Emmanuel Marre & Julie Lecoustre)</a>], All Right Reserved. 2026.</small><br>]]></description>
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		<title>LE FIDELE (Michaël Roskam)</title>
		<link>https://www.filmhuismechelen.be/review/le-fidele/</link>
		<comments>https://www.filmhuismechelen.be/review/le-fidele/#comments</comments>
		<pubDate>Tue, 28 Nov 2017 18:40:21 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[De dinsdagen van het Filmhuis]]></category>
		<category><![CDATA[Recensie]]></category>
		<category><![CDATA[Vertoond in 2017]]></category>
		<category><![CDATA[2017]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Eric de Staercke]]></category>
		<category><![CDATA[Kerem Can]]></category>
		<category><![CDATA[Matthias Schoenaerts]]></category>
		<category><![CDATA[Michael Roskam]]></category>
		<category><![CDATA[Nicolas Karakatsanis]]></category>
		<category><![CDATA[Raf Keunen]]></category>
		<category><![CDATA[Sam Louwyck]]></category>

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		<description><![CDATA[&#8216;Rundskop&#8217;-regisseur Michaël Roskam omschreef zijn nieuwe &#8216;Le Fidèle&#8217; als een &#8216;amour noir&#8217;, en dat is ook precies wat hij de kijker voorschotelt: een mix tussen een gangsterfilm, een duistere film noir en een liefdesdrama. Het achterliggende verhaal is losjes gebaseerd op &#8230; <a href="https://www.filmhuismechelen.be/review/le-fidele/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>LA VIE D&#8217;ADELE (Abdellatif Kechiche)</title>
		<link>https://www.filmhuismechelen.be/review/la-vie-dadele/</link>
		<comments>https://www.filmhuismechelen.be/review/la-vie-dadele/#comments</comments>
		<pubDate>Tue, 14 Jan 2014 18:30:32 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[De dinsdagen van het Filmhuis]]></category>
		<category><![CDATA[Recensie]]></category>
		<category><![CDATA[Vertoond in 2014]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[Abdellatif Kechiche]]></category>
		<category><![CDATA[Adèle Exarchopoulos]]></category>
		<category><![CDATA[Léa Seydoux]]></category>

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		<description><![CDATA[De Gouden Palm in Cannes is altijd goed voor controverse en discussies, maar dit jaar klonk de conclusie bij vriend en vijand voor één keer volstrekt unisono: de jury onder leiding van Steven Spielberg had met het overrompelende ‘La Vie &#8230; <a href="https://www.filmhuismechelen.be/review/la-vie-dadele/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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