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	<title>Filmhuis Mechelen &#187; Jonas Mekas</title>
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		<title>CINEMA CORONA #125: Art &amp; Film: WARHOL&#8217;S CINEMA 1963-68: MIRROR FOR THE SIXTIES</title>
		<link>https://www.filmhuismechelen.be/review/cinema-corona-125-art-film-warhols-cinema-1963-68-mirror-for-the-sixties/</link>
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		<pubDate>Sun, 01 Nov 2020 19:25:05 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<description><![CDATA[Maandag, Art &#38; Film-dag! Vandaag hebben we &#8216;WARHOL&#8217;S CINEMA 1963-1968: MIRROR FOR THE SIXTIES&#8217; in de aanbieding, een docu van Keith Griffiths uit 1989. Griffiths kijkt terug op de filmoutput van Andy Warhol, die tussen 1963 en 1968 meer dan &#8230; <a href="https://www.filmhuismechelen.be/review/cinema-corona-125-art-film-warhols-cinema-1963-68-mirror-for-the-sixties/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>Art &amp; Film: BARBARA RUBIN &amp; THE EXPLODING NY UNDERGROUND (Chuck Smith)</title>
		<link>https://www.filmhuismechelen.be/review/art-film-barbara-rubin-the-exploding-ny-underground/</link>
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		<pubDate>Mon, 10 Feb 2020 18:40:28 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<description><![CDATA[Barbara Rubin: de naam zegt u waarschijnlijk volstrekt niks, maar in de vroege jaren zestig was zij korte tijd de absolute queen bee van de volledig door mannen gedomineerde New Yorkse underground en avant garde-kunst. Zo was het bijvoorbeeld Rubin die &#8230; <a href="https://www.filmhuismechelen.be/review/art-film-barbara-rubin-the-exploding-ny-underground/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>Art &amp; Film: EXPRMNTL (Brecht Debackere)</title>
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		<pubDate>Mon, 06 Feb 2017 18:33:16 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<description><![CDATA[Knokke, 1949: het favoriete oord van de Belgische beau monde vindt dat het niet kan achterblijven bij buitenlandse tegenhangers als Cannes en Venetië, die allebei een eigen filmfestival hebben. En dus wordt in het plaatselijke casino het &#8211; ahum &#8211; World &#8230; <a href="https://www.filmhuismechelen.be/review/exprmntl/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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