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	<title>Filmhuis Mechelen &#187; Joseph MacDonald</title>
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		<title>CINEMA CORONA #106: PICKUP ON SOUTH STREET (Sam Fuller)</title>
		<link>https://www.filmhuismechelen.be/review/cinema-corona-106-pickup-on-south-street-sam-fuller/</link>
		<comments>https://www.filmhuismechelen.be/review/cinema-corona-106-pickup-on-south-street-sam-fuller/#comments</comments>
		<pubDate>Sun, 01 Nov 2020 00:06:52 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Klassiekers]]></category>
		<category><![CDATA[Online vertoningen]]></category>
		<category><![CDATA[Recensie]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[Cinema Corona]]></category>
		<category><![CDATA[Jean Peters]]></category>
		<category><![CDATA[Joseph MacDonald]]></category>
		<category><![CDATA[Murvyn Vye]]></category>
		<category><![CDATA[Richard Kiley]]></category>
		<category><![CDATA[Richard Widmark]]></category>
		<category><![CDATA[Sam Fuller]]></category>
		<category><![CDATA[Thelma Ritter]]></category>
		<category><![CDATA[Willis Bouchey]]></category>

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		<description><![CDATA[Vandaag in CINEMA CORONA: &#8216;PICKUP ON SOUTH STREET&#8217;, een excellente, duistere film noir van de grote Sam Fuller, filmheld van (o.a.) Quentin Tarantino, Jim Jarmusch en Martin Scorsese. Het verhaal draait rond ene Skip McCoy, een al meermaals opgepakte kruimeldief die &#8230; <a href="https://www.filmhuismechelen.be/review/cinema-corona-106-pickup-on-south-street-sam-fuller/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>CINEMA CORONA #67: MY DARLING CLEMENTINE (John Ford)</title>
		<link>https://www.filmhuismechelen.be/review/cinema-corona-my-darling-clementine-john-ford/</link>
		<comments>https://www.filmhuismechelen.be/review/cinema-corona-my-darling-clementine-john-ford/#comments</comments>
		<pubDate>Sat, 31 Oct 2020 23:06:03 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
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		<category><![CDATA[1946]]></category>
		<category><![CDATA[Cathy Downs]]></category>
		<category><![CDATA[Cinema Corona]]></category>
		<category><![CDATA[Henry Fonda]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[Joseph MacDonald]]></category>
		<category><![CDATA[Linda Darnell]]></category>
		<category><![CDATA[Tim Holt]]></category>
		<category><![CDATA[Victor Mature]]></category>
		<category><![CDATA[Walter Brennan]]></category>

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		<description><![CDATA[Quarantainedag 67! John Ford wordt door velen gezien als dé grootmeester van de Amerikaanse cinema, en daar zijn inderdaad vele argumenten en nog veel meer prachtfilms voor aan te halen. Eén van zijn allerbeste is &#8216;MY DARLING CLEMENTINE&#8217;, een zo &#8230; <a href="https://www.filmhuismechelen.be/review/cinema-corona-my-darling-clementine-john-ford/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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