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	<title>Filmhuis Mechelen &#187; 1948</title>
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	<description>De betere film in de binnenstad</description>
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		<title>CINEMA CORONA #177: THEY CAUGHT THE FERRY (Carl Theodor Dreyer)</title>
		<link>https://www.filmhuismechelen.be/review/cinema-corona-177-they-caught-the-ferry-carl-theodor-dreyer/</link>
		<comments>https://www.filmhuismechelen.be/review/cinema-corona-177-they-caught-the-ferry-carl-theodor-dreyer/#comments</comments>
		<pubDate>Mon, 01 Feb 2021 20:27:10 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Klassiekers]]></category>
		<category><![CDATA[Kortfilm]]></category>
		<category><![CDATA[Online vertoningen]]></category>
		<category><![CDATA[Recensie]]></category>
		<category><![CDATA[1948]]></category>
		<category><![CDATA[Carl Theodor Dreyer]]></category>
		<category><![CDATA[Cinema Corona]]></category>
		<category><![CDATA[Johannes V. Jensen]]></category>
		<category><![CDATA[Joseph Koch]]></category>
		<category><![CDATA[Jørgen Roos]]></category>

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		<description><![CDATA[Vroooàààr! Snelheidsduivels zijn van alle tijden, en dus bestaan ook veiligheidscampagnes van de overheid al langer dan vandaag. In 1948 kreeg de Deense grootmeester Carl Theodor Dreyer (zie bijvoorbeeld ook de gothic horror-klassieker &#8216;VAMPYR&#8217;) de opdracht een kortfilm voor een anti-laagvliegercampagne &#8230; <a href="https://www.filmhuismechelen.be/review/cinema-corona-177-they-caught-the-ferry-carl-theodor-dreyer/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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		<title>CINEMA CORONA #80: THE NAKED CITY (Jules Dassin)</title>
		<link>https://www.filmhuismechelen.be/review/the_naked_city/</link>
		<comments>https://www.filmhuismechelen.be/review/the_naked_city/#comments</comments>
		<pubDate>Sat, 31 Oct 2020 23:20:10 +0000</pubDate>
		<dc:creator><![CDATA[(godb)]]></dc:creator>
				<category><![CDATA[Klassiekers]]></category>
		<category><![CDATA[Online vertoningen]]></category>
		<category><![CDATA[Recensie]]></category>
		<category><![CDATA[1948]]></category>
		<category><![CDATA[Barry Fitzgerald]]></category>
		<category><![CDATA[Cinema Corona]]></category>
		<category><![CDATA[Don Taylor]]></category>
		<category><![CDATA[Dorothy Hart]]></category>
		<category><![CDATA[Frank Conroy]]></category>
		<category><![CDATA[House Jameson]]></category>
		<category><![CDATA[Howard Duff]]></category>
		<category><![CDATA[Jules Dassin]]></category>
		<category><![CDATA[Miklos Rosza]]></category>
		<category><![CDATA[Ted de Corsia]]></category>
		<category><![CDATA[Weegee]]></category>
		<category><![CDATA[William H. Daniels]]></category>

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		<description><![CDATA[Quarantainedag 80! Vandaag in CINEMA CORONA één van de allerbeste en meest invloedrijke naoorlogse misdaadfilms: &#8216;THE NAKED CITY&#8217; van Jules Dassin. Het (in half-documentaire stijl gefilmde) verhaal volgt het onderzoek naar de verdachte dood van Jean Dexter, een jong model in New York City. &#8230; <a href="https://www.filmhuismechelen.be/review/the_naked_city/">Lees verder <span class="meta-nav">&#8594;</span></a><br><br><div style="width:100%"><table align="left" width="100%" cellspacing="0" cellpadding="0" bgcolor="#f1f1f1"  border="0px;">
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